I am fascinated with the relationships between the Ancient Greek theatrical tradition and Western conventions, particularly how Greek mythology inspires or altogether provides the narratives and themes employed throughout the opera and ballet corpus. However, female characters contained within mythology and these related theatrical forms are repeatedly victims of sexism, misogyny, and gendered violence, represented as submissive lovers or monstrous manipulators who exist to further the stories of men. Therefore, I sought to invert the traditional employment of Greek mythology, utilising it as a feminist device; the fusion of Greek mythology and the cultural placement of Carroll’s Alice, pulls from the traditions of Victorian classical burlesque, a form which called for the performance of feminocentric Greek myths via female performers in both traditionally male and female roles, in order to question the confines of femininity and womanhood, critique norms, and protest misogyny and sexism within both the original narrative and society.